References
- Dido, Elsie K. M. 2000. A String of Blue Beads. Kwela Books.
- Patterson, Glenn. 2004. That which was. Penguin Books.
- Wicomb, Zoë. 2015. October. The New Press.
- Wicomb, Zoë. 2020. Still Life. The New Press.
- Adhikari, Mohamed. 2005. Not white enough, not black enough: Racial identity in the South African coloured community. Ohio University Press.
- Bartnik, Ryszard. 2014a. On South African violence through Giorgio Agamben’s biopolitical framework: A comparative study of J. M. Coetzee’s Disgrace and Z. Mda’s Ways of Dying. Studia Anglica Posnaniensia 49(4). 21–36. DOI: 10.1515/stap-2015-0010
- Bartnik, Ryszard. 2014b. Frozen thoughts on (post-)apartheid transgressions as conducive to producing new ‘unsolicited’ sprouts of contriteness. Tony Eprile in line with John Maxwell Coetzee on the importance of memory in democratic South Africa. In Bożena Kucała & Robert Kusek (eds.), Travelling texts: J. M. Coetzee and other writers. Peter Lang. 283–294.
- Bauman, Zygmunt. 1998. Postmodernity and its discontents. Polity Press.
- Bauman, Zygmunt. 2016. Living in an age of migration and diasporas. In Pirkkoliisa Ahponen, Paivi Harinen & Ville-Samuli Haverinen (eds.), Dislocations of civic cultural borderlines. Springer. 21–32. DOI: 10.1007/978-3-319-21804-5_2
- Bhabha, Homi K. 1994. The location of culture (2nd edn.). Routledge.
- Bielawska, Agnieszka. 2012. Changing Polish identities: Post-war and post-accession Polish migrants in Manchester. Peter Lang.
- Brink, André. 1998. Reinventing a continent. Writing and politics in South Africa. Zooland Books.
- Brown, Duncan. 2016. Reimagining “the literaryˮ in South African literary studies. English in Africa 43(3). 141–166.
- Clingman, Stephen. 2009. The grammar of identity. Transnational fiction and the nature of the boundary. Oxford University Press.
- Dass, Minesh. 2011. A ‘place in which to cry’: The place for race and a home for shame in Zoë Wicomb’s Playing in the light. Current writing: Text and reception in Southern Africa. 23(2). 137–146. DOI: 10.1080/1013929X.2011.602910
- Dawson, Graham. 2012. Storytelling, imaginative fiction and the representation of victims of the Irish Troubles: A cultural analysis of Deirdre Madden’s One by one in the darkness. In Lesley Lelourec & Gráinne O’Keeffe-Vigneron (eds.), Ireland and victims. Confronting the past, forging the future. Peter Lang. 139–158.
- Driver, Dorothy. 1993. Introduction. In Zoë Wicomb, Cenere sulla mia manica (ed. Maria Teresa Carbone), Edizioni Lavoro. viii–xxiv.
- Driver, Dorothy. 2011. Zoë Wicomb and the Cape cosmopolitan. Current writing: Text and reception in Southern Africa 23(2). 93–107. DOI: 10.1080/1013929X.2011.602904
- Erasmus, Zimitri. 2017. Race otherwise: Forging a new humanism for South Africa. Wits University Press.
- Ericson, Maria. 2001. Reconciliation and the search for a shared moral landscape. An exploration based on a study of Northern Ireland and South Africa. Peter Lang.
- Farred, Grant. 2001. Where does the Rainbow Nation end?: Colouredness and citizenship in post-apartheid South Africa. The New Centennial Review 1(1). 175–199.
- Gagiano, Annie. 2010. ‘De-Othering’ the perpetrator—an interview with Annie Gagiano. In Ewald Mengel, Michela Borzaga & Karin Orantes (eds.), Trauma, memory, and narrative in South Africa: Interviews. Rodopi. 187–210.
- Gaylard, Rob. 1996. Exile and homecoming: Identity in Zoë Wicomb’s ‘You can’t get lost in Cape Town’. Ariel. A review of international English literature 27(1). 177–189.
- Gready, Paul. 1994. The South African experience of home and homecoming. World Literature Today 68(3). 509–519.
- Guarducci, Maria Paola. 2015. Getting away with diaspora: Scotland and South Africa in Zoë Wicomb’s The one that got away. Le Simplegadi 13(14). 28–37.
- Hall, Stuart. 1990. Cultural identity and diaspora. In Jonathan Rutherford (ed.), Identity: Community, culture, difference. Lawrence & Wishart. 222–237.
- Jacobs, Jonathan U. 2016. Diaspora and identity in South African fiction. University of KwaZulu-Natal Press.
- Kim, Young Yun. 2015. Finding a “homeˮ beyond culture: The emergence of intercultural personhood in the globalizing world. International Journal of Intercultural Relations 46. 3–12. DOI: 10.1016/j.ijintrel.2015.03.018
- Lewis, Minnie. 2005. The construction of ‘coloured’ space and identity in Dido’s ‘n Stringetjie blou krale (A string of blue beads). In Hein Viljoen & Chris van der Merwe (eds.), South African perspectives on literature, space and identity. Peter Lang. 157–174.
- Mathey, Michelle. 2004. Home is where the heart is: A personal journey towards a validating sense of self in post-apartheid South Africa. Agenda: Empowering for gender 60. 125–135.
- McKimm, Cathie. 2001. Narrative, imagination and a pluralist vision. In James Magowan & Norma Patterson (eds.), Hear and now. And then. Developments in victims and survivors work, The Northern Ireland Voluntary Trust. 95–103.
- Merwe, Chris van der & Pumla Gobodo-Madikizela. 2010. A better past: An inter-view with Chris van der Merwe and Pumla Gobodo-Madikizela. In Ewald Mengel, Michela Borzaga & Karin Orantes (eds.), Trauma, memory, and narrative in South Africa. Interviews. Rodopi. 173–186.
- Mpe, Phaswane. 2005. ‘Our missing store of memories’: City, literature and representation. In Herman Wasserman & Sean Jacobs (eds.), Shifting selves. Post-apartheid essays on mass media, culture and identity. Kwela Books. 181–198.
- Plooy, Heilna du. 2005. To belong or not to belong. In Hein Viljoen & Chris van der Merwe (eds.), South African perspectives on literature, space and identity. Peter Lang. 39–54.
- Said, Edward. 2000. Invention, memory and place. Critical Inquiry 26(2). 175–192. DOI: 10.1086/448963
- Samuelson, Meg. 2011. Reading Zoë Wicomb’s cosmopolitan, domestic and recursive settings. Current writing: Text and reception in Southern Africa 23(2). 88–92. DOI: 10.1080/1013929X.2011.602903
- Samuelson, Meg. 2016. Reading nostalgia and beyond: the hermeneutics of suspicion and race; and, learning to read, again, with Zoë Wicomb. English in Africa 43(3). 117–139.
- Samuelson, Meg. 2017. Unsettling homes and the provincial-cosmopolitan point of view in Zoë Wicomb’s October. In Kai Easton & Derek Attridge (eds.) Zoë Wicomb & the translocal: Writing Scotland & South Africa. Routledge.
- Sanders, Mark. 2002. Complicities. The intellectual and apartheid. Duke University Press.
- Shaw, Mark. 2002. Crime and policing in post-apartheid South Africa. Transforming under fire. Hurst & Company.
- Steyn, Melissa. 2003. Taxi to Soweto and Panic mechanic: Two cinematic representations of whiteness in South Africa post-1994. In Herman Wasserman & Sean Jacobs (eds.), Shifting selves. Post-apartheid es-says on mass media, culture and identity. Kwela Books. 235–248.
- Turner, Victor. 1982. From ritual to theater. The human seriousness of play. Performing Arts Journal Publications.
- Viljoen, Hein, Minnie Lewis & Chris van der Merwe. 2005. Introduction: Learning about space – and about ourselves. In Hein Viljoen & Chris van der Merwe (eds.), South African perspectives on literature, space and identity. Peter Lang. 1–24.
- Vlies, Andrew van der. 2018. Zoë Wicomb South African essays: Intertextual ethics, translative possibilities and the claims of discursive variety. In Andrew van der Vlies (ed.), Race, nation and translation. South African essays, 1990–2013. Yale University Press. 3–33.
- Wicomb, Zoë. 1998. Shame and identity: the case of the coloured in South Africa. In Derek Attridge & Rosemary Jolly (eds.), Writing South Africa. Literature, apartheid and democracy, 1970-1995. Cambridge University Press. 91–107. DOI: 10.1017/CBO9780511586286.009
- Wicomb, Zoë. 2002a. Zoë Wicomb interviewed on writing and nation by Stephan Meyer and Thomas Olver. Journal of Literary Studies 18(1–2). 182–198. DOI: 10.1080/02564710208530296
- Wicomb, Zoë. 2002b. Zoë Wicomb in conversation with Hein Willemse. Research in African Literatures 33(1). 144-152. 101353/ral.2002.0041
- Wicomb, Zoë. 2018. Race, nation and translation. South African essays, 1990–2013. Yale University Press.