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Die orthodoxe Kirchenmusik als ein bedeutendes Erbe von Byzanz und ihre moderne Rezeption im Westen am Beispiel des „Byzantinischen Kantorenchores München“ Cover

Die orthodoxe Kirchenmusik als ein bedeutendes Erbe von Byzanz und ihre moderne Rezeption im Westen am Beispiel des „Byzantinischen Kantorenchores München“

Review of Ecumenical Studies
Volume 7 (2015): Issue 3 (December 2015)
By: Konstantin Nikolakopoulos  
Open Access
|Jan 2016
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DOI: https://doi.org/10.1515/ress-2015-0033 | Journal eISSN: 2359-8107 | Journal ISSN: 2359-8093
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Language: English, German
Page range: 447 - 459
Published on: Jan 6, 2016
Published by: Lucian Blaga University of Sibiu
In partnership with: Paradigm Publishing Services
Publication frequency: 3 issues per year
Keywords:
Byzantine music,
Orthodox worship,
Hymnography,
vocal music,
Gregorian music,
ecumenism,
hymns,
church modes,
Ison,
instrumental music free
Related subjects:
Theology and religion,
General topics and biblical reception

© 2016 Konstantin Nikolakopoulos, published by Lucian Blaga University of Sibiu
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Volume 7 (2015): Issue 3 (December 2015)
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