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The Piano’s Sound Apperception in Havasi Balázs’s Compositions, with Some Remarks from Alfred Whitehead and Theodore Ziolkowski Cover

The Piano’s Sound Apperception in Havasi Balázs’s Compositions, with Some Remarks from Alfred Whitehead and Theodore Ziolkowski

SAECULUM
Volume 47 (2019): Issue 1 (July 2019)
By: Maria-Roxana Bischin  
Open Access
|Aug 2019
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DOI: https://doi.org/10.2478/saec-2019-0013 | Journal eISSN: 2601-1182 | Journal ISSN: 1221-2245
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Language: English, Romanian, German, French
Page range: 137 - 148
Published on: Aug 17, 2019
Published by: Lucian Blaga University of Sibiu
In partnership with: Paradigm Publishing Services
Publication frequency: 2 issues per year
Keywords:
Havasi Balázs,
piano,
perception,
phenomenology of the music,
apperception,
conscience,
symbolism,
classicism
Related subjects:
Social sciences,
Communication science,
Health communication,
Cultural studies,
Cultural theory,
Media theory,
Literary studies,
Literary studies, general,
Philosophy,
Philosophy, other

© 2019 Maria-Roxana Bischin, published by Lucian Blaga University of Sibiu
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Volume 47 (2019): Issue 1 (July 2019)
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