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Volume 5 (2022): Issue 1 (Jan 2022)

Open Access
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Issue 1

15 articles
Open Access
|Jan 2022
Multi-Objective Investigation of Six Feature Source Types for Multi-Modal Music Classification
Igor Vatolkin and  Cory McKay  
Open Access
|Feb 2022
Evaluating an Analysis-by-Synthesis Model for Jazz Improvisation
Klaus Frieler and  Wolf-Georg Zaddach  
Open Access
|Feb 2022
On the Development and Practice of AI Technology for Contemporary Popular Music Production
Emmanuel Deruty,  Maarten Grachten,  Stefan Lattner,  Javier Nistal and  Cyran Aouameur  
Open Access
|Mar 2022
On Creativity, Music’s AI Completeness, and Four Challenges for Artificial Musical Creativity
Martin Rohrmeier  
Open Access
|Mar 2022
Editorial for TISMIR Special Collection: AI and Musical Creativity
Bob L. T. Sturm,  Alexandra L. Uitdenbogerd,  Hendrik Vincent Koops and  Anna Huang  
Open Access
|Mar 2022
Steerable Music Generation which Satisfies Long-Range Dependency Constraints
Paul Bodily and  Dan Ventura  
Open Access
|May 2022
GiantMIDI-Piano: A Large-Scale MIDI Dataset for Classical Piano Music
Qiuqiang Kong,  Bochen Li,  Jitong Chen and  Yuxuan Wang  
Open Access
|May 2022
Voice Assignment in Vocal Quartets Using Deep Learning Models Based on Pitch Salience
Helena Cuesta and  Emilia Gómez  
Open Access
|Oct 2022
A Clustering-Based Approach to Automatic Harmonic Analysis: An Exploratory Study of Harmony and Form in Mozart’s Piano Sonatas
Jason Yust,  Jaeseong Lee and  Eugene Pinsky  
Open Access
|Oct 2022
Artist Similarity for Everyone: A Graph Neural Network Approach
Filip Korzeniowski,  Sergio Oramas and  Fabien Gouyon  
eISSN: 2514-3298|Language: English|Publication frequency: 1 time per year
Published by: Ubiquity Press
In partnership with: Paradigm Publishing Services
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